Ambitious magistrate Vittoria (Valeria Solarino) makes the dramatic decision to relocate from the north to the south of Italy with one mission in mind – to defeat the Calabrian ‘‘Ndrangheta’ mafia. She is flabbergasted by the violence, the cruelty and the killings that Mafia men project – even youngsters are not spared. But instead of targeting the men, Vittoria tries a new approach; an appeal to the women involved in these circles. The bosses’ wives are as hard as nails; they will not talk and will not betray their powerful husbands, but could it be they have a soft spot for their own children?

Mr Karva runs a shady little empire in North London. We don't know exactly how he makes his money but we know it's probably not very nice. Mr Karva's stepson, Othello, has ambitions to take the old man's place; and Othello's fainthearted friend, Emilio, has ambitions of his own. This delicate balance of power is upset when Roadrunner finds a strange, sickly-looking 10 year old boy in the park. All his life, Roadrunner has been on the move - but when he looks into the child's eyes, he finds he can finally stop running. It becomes clear that the child can grant each character their own taste of heaven - the 'perfect, rosy future of your dreams'. The child never talks but transforms the world around him, working on the desire in each character's heart, whatever it may be.

Vittorio Innocente, a young man, estranged from the tragedies of his Italian immigrant family, has spent his adult life denying his past. When his estranged father starts to stalk Vittorio's sister, Rita, with murderous intent, Vittorio is moved to return to his family and uncover the decades-old secrets that have torn his family apart.

Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.

母亲遇害后，蒂娜（Tina）加入了肯尼亚街头的一个帮派。当她发现凶手的身份时，复仇的念头被打消了。

Classical history, not devoid of mysteries and mysticism, develops in different historical epochs – from Louis the Sun to the present day. Rhythms, mores, manners, and fashion are changing. Powdered wigs and doublets will be replaced by tailcoats and top hats, jackets and jackets. Only art and Bulgakov's plot remain eternal, in which the themes are intricately intertwined: the artist and power, love and betrayal, talent and envy.

This film tells the history of the United States from pre-Revolution through 1939.

Described as a 'film argument' about homes and houses, this film is in three parts showing houses as they were, houses as they are and houses as they might be.

A woman lives with her seven-year-old daughter and newborn son in an isolated house in the middle of a mournful landscape; it seems as if winter has encased everything in a bluish, glass-like shell. The nervous woman is filled with a sense of dread and fear, which she tries to sate by taking walks in the woods. Her husband doesn't get home till late, the baby is sick, and she worries about his welfare until she is absolutely frantic. Not understanding his wife's problems, her husband suspects her of exaggerating her mental breakdown. He is unwilling to admit that even his daughter's behavior has altered.

很久以前，一个诅咒降临到了林多家族身上。诅咒: 这个家庭只能生女孩。暂时解除诅咒的唯一方法就是和 Hizuki 家族的人生一个孩子。一旦诅咒被解除，它将每隔三代再次出现在这个家庭中。许多年过去了，现在，林多将是不幸的一个。他原来在 Hizuki 家的未婚夫因为一次悲惨的事故去世了，现在他必须使 Hizuki 家另外四个女孩中的一个怀孕，但是时间不多了。